UU_Shop
Monday, 23 December 2013
Sunday, 22 September 2013
REMIX
Remix is a show curated by Mini moderns for the London Design Festival 2013 and hosted by the East London Design Store, London Field E8. The Remix project sees a collaboration between the designers duo of Mini Moderns (wallpaper, fabric, paint, lampshade, etc) and a selected group of designers and artists. Using their past collection Darjeeling wallpaper design, which was launched this year as part of the Buddha of Suburbia collection, they gave to the designers free reign to reimagine the design on a piece of their choice.
The project includes work by Zoe Murphy, Leonhard Pfeifer, Rimmington Vian, Urban Upholstery and Brume, as well as the launch of Mini Moderns’ first lighting collection, produced and designed in collaboration with Group Design. Further work comes from artist Matt Sewell and furniture maker Benjamin Boyce, who have both used the range of Mini Moderns Environmentally Friendly Paint as the basis for their response.
The event runs throughout London Design Festival, with a launch evening on Thursday 12 September from 6pm, and a daytime customer event on Saturday 21 September, at which customers can meet the Mini Moderns design team.
The project includes work by Zoe Murphy, Leonhard Pfeifer, Rimmington Vian, Urban Upholstery and Brume, as well as the launch of Mini Moderns’ first lighting collection, produced and designed in collaboration with Group Design. Further work comes from artist Matt Sewell and furniture maker Benjamin Boyce, who have both used the range of Mini Moderns Environmentally Friendly Paint as the basis for their response.
The event runs throughout London Design Festival, with a launch evening on Thursday 12 September from 6pm, and a daytime customer event on Saturday 21 September, at which customers can meet the Mini Moderns design team.
UU0044_Josephine B_chair |
Josephine B_chair (back view) |
Wednesday, 8 May 2013
French Flair
Last
February when Irene Braas, an aspiring upholsterer from HMC
mbo vakschool Amsterdam, Holland,
stayed with us for 10 weeks, we worked on a new collection of chairs
with traditional french style upholstery. She is specialising in
traditional upholstery and she wanted to master the technique with
us. Good luck to her, she is very bright and the school is
exceptional (we will get back on this as we may attend her
final presentation).
But
now is time to present you with our new collection of one-off pieces
and their French Flair: Pampadour_chair & Versailles_chair.
The
collection was inspired by a trip that we made in 2011 to Paris, in
occasion of Maison et Objet 2011.
During the trip we wanted to buy as well french toiles and tapestry style of fabrics and
look at original antique furniture. So under
suggestions of French we visited Marché
Saint-Pierre, Marché aux Puces St-Ouen de Clignancourt, visited shop
and upholstery workshop.
We
got overwhelmed by their love and knowledge of upholstery, fabrics,
furniture and antiques. French have a great tradition in furniture
and visiting Versailles_castles we sow few pieces that inspired us to
explore their traditional upholstery technique.
Like
ours is characterised by the use of hessian, fibre, cotton felt,
hand-tied springs and hand-stitching but the French technique is more
refined and more complex, especially when it came to make the back of
our Versailles_chair (it sticks out like it would have been made with
foam and believe us when we say that is one of the most complicated
thing we ever done!!!).
We
have enjoyed to explore the process and here we have some images to
share with you:
Pompadour_chair
has been recovered with Toile de Jouy from Pierre Marche', velvet and tapestry from Marché aux
Puces St-Ouen. Finished with silk piping and a bandage with rose.
2. Versailles_chair
Versailles chair has been recovered with a design print velvet and plain velvet. The frame has been restored and decorated with gold paint.
Wednesday, 23 January 2013
Another Life for Furniture
Another Life For Furniture
Deconstructed
upholstery
“For
quite some time we have nurtured the idea to experiment with
upholstery and reveal to others the magical process that we see.
Each
time we work on upholstering a traditional sofa it evokes us the
inside of a piano: it is functional, aesthetically beautiful,
precisely constructed and very complex to build…. it is an object
that continues to reveal itself.
It
inspired us to transform a traditional chesterfield sofa to one with
upholstery that comes apart to show the springs, cords, webbing and
the old frame.
At
the beginning of 2012 in order to develop this idea, we created the
Josephine B_chair and 5 months later we undertook the development of
the Baubau_sofa.
The
Josephine B_chair started as an experimental project to develop, on a
smaller scale, our plans for the chesterfield sofa, however, it
became a piece on its own right: a common chair with quite an
exceptional look. Each
upholstered part: wings, arms, back and seat can be removed, simply
by unfastening press buttons and a system of elastic webbing that
secures them to the chair-frame.
The
chesterfield sofa now has the same characteristics as the chair, all
of the upholstered parts can be removed, thanks to the press
fasteners and elastic webbing. When all else is removed, only the
beautiful cage of “hand-tied springs” on the seat and back of the
sofa remain visible. The Baubau sofa reveals one of the oldest,
magical processes, which in the upholstery world is part of the
traditional technique, but usually this becomes hidden due to the
subsequent layers that are normally added.
The
cushions have been stuffed mostly with wool, except from the booster
of the back and arms that are made of foam. The hand-stitched
mattress is stuffed with carded lamb’s wool and layers of wool
sheets have been used to make the shaped cushions on the back.
Whilst
the chair has been recovered with plain and natural colour mixing
wool fabrics and linen to create a “chiaroscuro”.
To
cover the sofa we teamed-up with artist Laura Hamilton,
whose company
‘Bird
In The Hand’, produces hand printed textiles,
inspired by Jamaican prints from the 60's and 70's.
For
the first time the furniture were presented to the public at Tent
London 2012, displaying them in conjuction with Bird In The Hand.
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